Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2020_586
id	sigradi2020_586
authors	Perelli Soto, Bruno; Soza Ruiz, Pedro; Tapia Zarricueta, Ricardo
year	2020
title	Towards the development of Smart Buildings: A Lowcost IoT Healthcare Management Proposal in Times of a World Pandemic
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 586-593
summary	This research addresses the impact that technologies, particularly the Internet of Things, have when facing - directly or indirectly - the current panorama of a pandemic due to COVID-19. First, we review the literature and propose a context that allows for efficient clarification regarding two concerns: where should we insert this project? What are the implications and scope of such a decision? Secondly, we present experiences of implementation of IoT prototypes, which – in context - consider the education of the population of an apartment building, the mitigation and detection of COVID-19 symptoms, and the ability to obtain data from these experiences.
keywords	COVID-19, IoT, Design, Smart buildings, Lockdown
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	sigradi2013_29
id	sigradi2013_29
authors	Pereyra Bonifacio, Paulo; Fernando García Amen
year	2013
title	Pieles Responsivas en Arquitectura y Sistemas de Integración Info-Ambiental a través de Tecnología Arduino [Responsive Skins in Architecture and Info-Environmental Systems through Arduino Technology]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 430 - 434
summary	This paper presents a case study consisting in proposing and building a responsive skin that reacts to different environmental impulses using Arduino technology. Thus, we aim to obtain an intelligent, integrated and economic achievement, through digital manufacturing processes and low cost technologies integrated in an architectural project.
keywords	Responsive skins; Info-environmental integration; Digital manufacturing; Constructive processes
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2016_773
id	sigradi2016_773
authors	Pereyra Bonifácio, Paulo Adhemar
year	2016
title	Ciudad Vieja; un modelo para armar. [Old City; a puzzle to solve]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.399-404
summary	This research arises from the realization of a model from an historic district by digital fabrication. Seeks to think about and document the integration of the potentialities of Applied Informatics and digital manufacturing processes, of urban revitalization through social responsibility projects. This issue contributes to sustainable and intelligent urban development, supporting initiatives ad hoc through the incorporation of collaborative processes, distributed intelligence and team research.
keywords	Digital fabrication; Applied informatics, intelligent urban development, distributed intelligence
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2016_770
id	sigradi2016_770
authors	Pereyra Bonifácio, Paulo Adhemar; Echavarría Terradas, Ximena; Flores, Luis; Meirelles, Lucía
year	2016
title	Relacionamiento Entre los Talleres de Arquitectura y el Laboratorio de Fabricación Digital [Relationship Between Academic Architectural Workshops and Digital Fabrication Laboratory]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.266-271
summary	This article develops the relationship between academic architectural workshops with digital fabrication laboratory. We understand that it is essential to implement informatics to design, especially the case of digital manufacturing, as an active tool in the design process and project representation.
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	396e
authors	Pereyra, N., Azubel, R., Torroja, A., López Coronel, J.P. and Muñoz, P.
year	1999
title	Do Intelligent Objects Need Programmed Users?
source	III Congreso Iberoamericano de Grafico Digital [SIGRADI Conference Proceedings] Montevideo (Uruguay) September 29th - October 1st 1999, pp. 52-55
summary	Intelligent objects for daily use offer greater advantages than electromechanical products. However, they need a user whose life is more methodical, programmed and predictable. As de number of services offered in such products increase, their restrictions in their flexibility of use arise. Finally, users adapt themselves to habits that these objects suggest (for better) or prescribe (for worse). However, a paradox exists. What is controversial for a standard user: the increasing passivity justified in the eternal pursuit of comfort, for a disabled person means achieving independence and autonomy. In order to accomplish the revolutionary equity that computer science claims, the possibility of being excluded for economic reasons should not exist. If not, it will increase the fracture between coexistent realities in the same territory. For these reasons, assuming the risk of being considered naive and idealist, we believe that in order to build a better future it is necessary to promote policies that guarantee the access to new technologies for people with low economic means. Together with the consciousness users gain -related to product selection-, it would break the premature discouragement that the markets try to impose, resigning us to an unjustified idea of weakness and submission.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2022_278
id	sigradi2022_278
authors	Pereyra, Paulo; Fontana, Juan José; Pineyro Rodriguez, Marina
year	2022
title	Pertinence and possibility(s) of ontological approaches in parametric digital design procedures.
source	Herrera, PC, Dreifuss-Serrano, C, Gómez, P, Arris-Calderon, LF, Critical Appropriations - Proceedings of the XXVI Conference of the Iberoamerican Society of Digital Graphics (SIGraDi 2022), Universidad Peruana de Ciencias Aplicadas, Lima, 7-11 November 2022 , pp. 283–294
summary	A research article is presented that seeks to reflect on the relevance and possibility(s) of the incorporation of ontological approaches in the methodological articulation of parametric procedures in architectural design, having as object of study the algorithmic modeling for the digital fabrication of a laminar roof materialized with wood by sub-products from the production of national industries. Such methodological implementation makes possible, as research results, a conceptualization -through a taxonomic structuring supported by relevance- and a systematization by means of a meta-script framed in the universe of possibilities of the ontological approach. The debate problematizes the question of critical appropriation (the convening topic of the present edition of the Sigradi Congress) of methodologies that, arising in realities different from the Ibero-American one, have quickly had an impact in our environment to conclude on the need to emphasize the context parameter in the conceptualization of specific meta-scripts.
keywords	Parametric Analysis, Ontologies, Digital Design, Digital Fabrication, Algorithmic Design
series	SIGraDi
email
last changed	2023/05/16 16:55

_id	acadia04_162
id	acadia04_162
authors	Perez, Santiago R.
year	2004
title	The Synthetic Sublime
source	Fabrication: Examining the Digital Practice of Architecture [Proceedings of the 23rd Annual Conference of the Association for Computer Aided Design in Architecture and the 2004 Conference of the AIA Technology in Architectural Practice Knowledge Community / ISBN 0-9696665-2-7] Cambridge (Ontario) 8-14 November, 2004, 162-175
doi	https://doi.org/10.52842/conf.acadia.2004.162
summary	The distinction between the artificial and the natural has been increasingly challenged as a result of advances in genetics, microbiol¬ogy, and robotics. Beginning with the molecular assemblage of organic systems into complex micro-surfaces and structures, and expanding into the realm of the macro landscape, our understanding of the term Synthetic must be revised. What is the relationship between the component (or part) and the whole, when confronted with the Synthetic? Digitally mediated fabrication technologies, combined with a renewed interest in topology and (bio)logical form, serve to challenge our preconceived notions of space and form. This inquiry will attempt to explore the relationship between traditional assemblies produced by hand, and the production of complex forms through digital rapid prototyping. The impact of D'Arcy Thompson's On Growth and Form will be considered both as a historical juncture and a contemporary source of knowledge for the exploration of new assemblages inspired by topology and biology. In particular, the organic micro-surfaces depicted in France Bourély's Hidden Beauty will be explored, in comparison with the mathematical development of organic forms inspired by Periodic Minimal Surfaces. The analysis of emerging forms and assemblages based on the notion of the Synthetic will be compared with the Organic, and considered within the context of twentieth century art and sculpture. An attempt will be made to establish new modes of inquiry for combining digital and physical explorations of space and form, influenced by advances in micro-scale structures, complex surfaces, and the history of organic form in art.
keywords	landscape, form, surface, assemblage
series	ACADIA
email
last changed	2022/06/07 08:00

_id	acadia06_471
id	acadia06_471
authors	Perez, Santiago R.
year	2006
title	PolyForm: Biomimetic Surfaces
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 471-482
doi	https://doi.org/10.52842/conf.acadia.2006.471
summary	The evolution of the architectural surface from a static, fixed geometric assemblage to a responsive, biomimetic aggregate surface will be the topic of this paper. The work exhibited has been developed by the author and his students over the last two years, prompted by an interest in robotics, advanced material assemblies, and biomimetics. The work ranges in scope from digital models and simulations to working prototypes and full-scale habitable constructions. One aspect that serves to unite the emerging body of work may be summarized in the prefix “poly” denoting many, or having more than one state or form. Thus the word Polyform begins to suggest the interplay between biomimesis and adaptive surfaces. A similar term is found in the combination of poly and morph:
series	ACADIA
email
last changed	2022/06/07 08:00

_id	acadia08_272
id	acadia08_272
authors	Perez, Santiago R.
year	2008
title	Crafting Complexity: Material / Procedure / Form
source	Silicon + Skin: Biological Processes and Computation, [Proceedings of the 28th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) / ISBN 978-0-9789463-4-0] Minneapolis 16-19 October 2008, 272-277
doi	https://doi.org/10.52842/conf.acadia.2008.272
summary	What is the role of Craft, in understanding Bio-Computational Forms & Systems? What is the relation between self-organizing systems & material-component assemblages? ¶ This paper will explore the relationship between material craft, procedure and form, in relation to complex, self-organizing assemblies. A comparison will be made, between (hand) crafted assemblies, guided by physical constraints and procedural methodologies, and digitally mediated fabrication, guided by recursion and algorithmic generative methodologies. ¶ An attempt will be made to connect various scales of making, in terms of module or unit of assembly, both at the micro-scale of biological structures, and the macro-scale of man-made systems. The goal of this essay is to question the relation between physically crafted component assemblies, as a means for exploring adaptive, complex, self-organizing systems, and bio-computational paradigms as a source of adaptive strategies for making.
keywords	Adaptation; Complexity; Craft; Material; Play
series	ACADIA
last changed	2022/06/07 08:00

_id	6c66
authors	Perlin, Ken
year	1985
title	An Image Synthesizer
source	SIGGRAPH '85 Conference Proceedings. July, 1985. vol. 19 ; no. 3: pp. 287- 296 : ill. includes bibliography
summary	The authors introduce the concept of a Pixel Stream Editor. This forms the basis for an interactive synthesizer for designing highly realistic Computer Generated Imagery. The designer works in an interactive Very High Level programming environment which provides a very fast concept/implement/view iteration cycle. Naturalistic visual complexity is built up by composition of non-linear functions, as opposed to the more conventional texture mapping or growth model algorithms. Powerful primitives are included for creating controlled stochastic effects. The concept of 'solid texture' to the field of CGI is introduced. The authors have used this system to create very convincing representations of clouds, fire, water, stars, marble, wood, rock, soap films and crystals. The algorithms created with this paradigm are generally extremely fast, highly realistic, and asynchronously parallelizable at the pixel level
keywords	computer graphics, programming, algorithms, synthesis, realism
series	CADline
last changed	1999/02/12 15:09

_id	sigradi2011_209
id	sigradi2011_209
authors	Peronti Santiago, Rodrigo
year	2011
title	Jogos e Processos de Projeto: Diálogos Possíveis [Games and Design Processes: Possible Dialogues]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 503-506
summary	With the background of the reflections of the philosopher Vilém Flusser about games on contemporary culture, and the mathematical theory of Constructionism of the educator Seymour Papert, the subject of this work, a doctoral research in progress, relates to the use of a new programming language in the development of design processes in architecture. Intends to examine and explore the similarity of this language with the definition of "open game" by Flusser, whose use seems to favor so-called participatory methods and collaborative work, in which the role of the individual project gives rise to an activity shared by several actors.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2010_256
id	sigradi2010_256
authors	Peronti, Santiago Rodrigo; Malard Monteiro Humberto
year	2010
title	Interfaces computacionais colaborativas: considerações para a construção de um universo teórico [Collaborative computer interfaces: considerations for the construction of a theoretical universe]
source	SIGraDi 2010_Proceedings of the 14th Congress of the Iberoamerican Society of Digital Graphics, pp. Bogotá, Colombia, November 17-19, 2010, pp. 256-259
summary	This paper discusses current technological environments based on the digital media, the definitions of computing interfaces, and their origins and the collaborative interface, in an attempt to build a theoretical universe from different fields of knowledge. It also discusses the role of the architect in developing this particular kind of interface.
keywords	information and communications technology; collaborative computing interfaces; collaborative works; architecture and digitalmedia.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	098a
authors	Perron, Richard and Miller, Deron
year	1991
title	Landscape of the Mind
source	Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 71-86
doi	https://doi.org/10.52842/conf.acadia.1991.071
summary	The focus of this article is the exploration of landscape and the question of representation, more specifically how landscape principles can be represented through computation. It is a quest for essential qualities, through an application of philosophical questioning, and a response to a human perception of reality. Reality, as an invention of the human mind, is often thought of as a set of accepted conventions and constructs. Such a reality has an inherent dependency upon cognition where spatial and temporal principles may be defined within the natural and built environment, and further embraced within a cultural context. However, there also exist rules or relations that are neither invented nor formulated by the participants understanding. In effect these relations may not have been effectively articulated, a result perhaps of unfamiliar cues. Therefore, to the participant, these relations reside in the realm of the unknown or even the mystic. The aesthetic often resides in the realm of the mystic. The discovery of the aesthetic, is often an experience that comes from encountering physical and essential beauty where it has been produced through unconscious relations, perceived, yet transcending human understanding. The aspects of space and time, spatial and temporal properties and relations of things and events, are generally accepted conventions. Yet, the existence of a time order, is often not perceived. An understanding of spatial temporal properties may involve a temporal detachment from convention, allowing the release of previously unknown patterns and relations. Virtual realities are well constructed simulations of our environments, yet they may lack the embedded essential qualities of place. Virtual reality should transcend human perception and traditional modes of understanding, and most importantly our limited notions of the temporal nature of our environment. A desire to reach beyond the limits of perceived time order, may take us beyond existing sets of cultural values, and lead to the realization of new spatial/temporal conventions with the assistance of the computer.
series	ACADIA
last changed	2022/06/07 08:00

_id	1f68
authors	Perrone, Alessandro
year	2002
title	Agent-Based Design Modelling Using the Visual Swarm Builder
source	Gero JS and Brazier FMT (eds) (2002) Agents in Design 2002. Key Centre of Design Computing and Cognition, University of Sydney, pp. 153-164
summary	In this paper we describe a new product written to simplify the construction of Agent based simulations called Visual Swarm Builder. VSB is an integrated environment for the design and realization of simulations using Swarm libraries, based on menudriven and graphic selections of objects like graphs, "standard agents", etc. This paper is divided into three sections. It commences with an introduction about the need of an instrument like VSB, then there are parts dedicated to the simulation environment, Swarm, and finally there's the last parts in which there's described the package, with all the present and future features, and a short example designed with VSB.
series	other
email
last changed	2003/05/10 10:16

_id	sigradi2012_239
id	sigradi2012_239
authors	Perrone, Felipe Rodrigues; Gomes, Hector Medina; Heidrich, Felipe Etchegaray; Borda, Adriane
year	2012
title	Desenvolvimento de Aplicativo para Visualização de Patrimônio Histórico-Arquitetônico em Realidade Aumentada [Development of an Application for Visualization of historical and Architectural heritage in Augmented Reality]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 366-368
summary	This article describes the development process of an web-based augmented reality application, aiming to display historical and architectural heritage of the city of Pelotas. Made from technologies such as Adobe Flash and Open Source libraries it also required the development of support tools to assist in its completion and maintenance.
keywords	Realidade Aumentada, Patrimônio Histórico, Bibliotecas Open Source
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	acadia10_305
id	acadia10_305
authors	Perry, Chris
year	2010
title	Anticipatory Architecture \| Extrapolative Design
source	ACADIA 10: LIFE in:formation, On Responsive Information and Variations in Architecture [Proceedings of the 30th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-4507-3471-4] New York 21-24 October, 2010), pp. 305-312
doi	https://doi.org/10.52842/conf.acadia.2010.305
summary	The instrumental and aesthetic implications of architecture’s engagement with science and technology has a long history, part of which includes the period following the Second World War when the rapid technological advances of the Industrial Revolution merged with a general cultural mindset characterized by themes of progress and futurism. For postwar thinkers like Reyner Banham, this interest in a futurist architecture suggested an approach to design rooted less in architectural precedent than technological extrapolation. While a precedent based approach might be viewed as more disciplinary in nature, technological extrapolation suggests an inclination towards interdisciplinarity. Thus, Banham’s concept of extrapolation encouraged architects to look beyond the limits of their own discipline as a means of discovering new forms of knowledge and expertise. Indeed Banham was engaged in taking stock of the technological advances particular to his time while simultaneously anticipating the implication of these advancements for the future. To this extent, the postwar period and its inherent futurism provides a useful and poignant lens through which to take stock of our own technological climate. Given the equally revolutionary advances in computer technology in the last twenty years, our contemporary moment can be seen as having many parallels with the postwar period, and not unlike the postwar generation of architects and thinkers, contemporary designers are inevitably faced with the challenge of engaging new technological advances and their implications for architecture. In our current age of digital and biological technologies, these advances are both rapid and widespread, and include LED and fiber-optic lighting systems, motion sensing, interface design, solar tracking photovoltaic skins and wind harnessing technologies, magnetic levitation, and robotics. This paper begins with an examination of design work and criticism from the postwar period and proceeds to utilize that examination as an historical framework for addressing issues of contemporary design and 21st Century technological advancement.
keywords	Architecture, Anticipatory, Technology, Science
series	ACADIA
type	normal paper
email
last changed	2022/06/07 08:00

_id	caadria2022_472
id	caadria2022_472
authors	Perry, Gabriella and Garcia del Castillo y Lopez, Jose Luis
year	2022
title	Droop ‚ An Iterative Design Tool for Material Draping
source	Jeroen van Ameijde, Nicole Gardner, Kyung Hoon Hyun, Dan Luo, Urvi Sheth (eds.), POST-CARBON - Proceedings of the 27th CAADRIA Conference, Sydney, 9-15 April 2022, pp. 283-292
doi	https://doi.org/10.52842/conf.caadria.2022.2.283
summary	Advances in large-scale 3D printing technology have opened up explorations on novel non-solid, non-layered 3D printing techniques such as spatial lattices and material draping. These new printing techniques have potential to reduce the wasted material from printing support structures and optimize overall material use. However, due to the inherent material unpredictability of many of these systems, they are often difficult to approximate with digital tools, often requiring simple trial and error to achieve a specific result, with the consequent waste of time and resources. Droop is a work in progress material-informed simulation environment that serves as an iterative design tool for material draping fabrication processes. Droop explores the material potential of thermoplastics through the fabrication process of robotic draping to achieve complex linked catenary forms. This bespoke simulation environment approximates the spatial form of a material draping process and serves as a useful iterative design tool that allows designers to better understand and predict how a 2D pattern translates into a 3D droop form. The simulation also reduces the amount of wasted material produced by trial-and-error material draping processes. In this paper, we present the digital simulation framework, discuss methods for material-informed calibration, and show a set of experiments produced with this tool.
keywords	Material Draping, Physics Simulation, Additive Manufacturing, Robotic Fabrication, Catenary Geometry, SDG 12
series	CAADRIA
email
last changed	2022/07/22 07:34

_id	sigradi2022_298
id	sigradi2022_298
authors	Perry, Isha N.; Xue, Zhouyi; Huang, Hui-Ling; Crispe, Nikita; Vegas, Gonzalo; Swarts, Matthew; Gomez Z., Paula
year	2022
title	Human Behavior Simulations to Determine Best Strategies for Reducing COVID-19 Risk in Schools
source	Herrera, PC, Dreifuss-Serrano, C, Gómez, P, Arris-Calderon, LF, Critical Appropriations - Proceedings of the XXVI Conference of the Iberoamerican Society of Digital Graphics (SIGraDi 2022), Universidad Peruana de Ciencias Aplicadas, Lima, 7-11 November 2022 , pp. 39–50
summary	The dynamics of COVID-19 spread have been studied from an epidemiological perspective, at city, country, and global scales (Rabajante, 2020, Ma, 2020, and Giuliani et al., 2020), although after two years of the pandemic we know that viruses spread mostly through built environments. This study is part of the Spatiotemporal Modeling of COVID-19 spread in buildings research (Gomez, Hadi, and Kemenova et al., 2020 and 2021), which proposes a multidimensional model that integrates spatial configurations, temporal use of spaces, and virus characteristics into one multidimensional model. This paper presents a specific branch of this model that analyzes the behavioral parameters, such as vaccination, masking, and mRNA booster rates, and compares them to reducing room occupancy. We focused on human behavior, specifically human interactions within six feet. We utilized the multipurpose simulation software, AnyLogic, to quantify individual exposure to the virus, in the high school building by Perkins and Will. The results show how the most effective solution, reducing the occupancy rates or redesigning layouts, being the most impractical one, is as effective as 80% of the population getting a third boost.
keywords	Spatiotemporal Modeling, Behavior Analytics, COVID-19 Spread, Agent-Based Simulation, COVID-19 Prevention
series	SIGraDi
email
last changed	2023/05/16 16:55

_id	58a0
authors	Persson, J.A.
year	1994
title	Resource Based Approach to Generalization in the Context of GIS
source	Linkoping, Suécia: Department of Computer and Information Science, Linkoping University
summary	A reactive planning system for decision support in the context of GIS will be a complex system. The information flow is often great but of varying quality. Resources should be used as knowledge structures to organize the data involved in such systems and generalizations to reduce the data volume and create overviews. This paper discusses what is meant by resources in the context of GIS and planning and how generalizations can be used in a wider perspective than only for cartographic simplification. The project, which is in an early state, has the goal to design the data structures for a decision support system for crisis and emergency management.
series	other
last changed	2003/04/23 15:50

_id	ascaad2016_004
id	ascaad2016_004
authors	Peteinarelis, Alexandros; Socrates Yiannoudes
year	2016
title	Algorithmic Thinking in Design and Construction - Working with parametric models
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 19-28
summary	This paper examines the parametric model in algorithmic design processes, using the outcome of an educational digital design and fabrication course as a case study. In its long history, algorithmic design as a form-finding method, allowed designers to manage complex non-standard associative geometries, suggesting a shift from the digital representation of form, to its systematic representation into a parametric model through code. Rather than a style or a tool, the parametric model is best defined in mathematical terms; in practice it incorporates the organizational logic of the form and the topological associations of its parts, so that a change in its constitutive parameters will invoke a concerted update of the entire model, and, iteratively, formal and structural variations. In a series of design experiments that took place at the School of Architecture of the Technical University of Crete in the spring of 2015, we used parametric models represented into visual code, from the initial conceptual stage to fabrication. From the experience and outcome of this course, we deduced that, compared to other digital formation methods, parametric models allow the designer to constantly interact with the model through the code, producing discreet variations without losing control of the design intentions, by “searching” into a wide range (albeit finite) of virtual results. This suggested a shift in culturally embedded patterns of modernist design thinking.
series	ASCAAD
email
last changed	2017/05/25 13:13

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