CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 14 of 14

_id acadia20_208p
id acadia20_208p
authors Bernier-Lavigne, Samuel
year 2020
title Object-Field
source ACADIA 2020: Distributed Proximities / Volume II: Projects [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95253-6]. Online and Global. 24-30 October 2020. edited by M. Yablonina, A. Marcus, S. Doyle, M. del Campo, V. Ago, B. Slocum. 208-213
summary This project aims to continue the correlative study between two fundamental entities of digital architecture: the object and the field. Following periods of experimentations on the ""field"" (materialization of flows of data through animation), the ""field of objects"" (parametricism), the ""object"" (OOO), we investigate the last possible interaction remaining: the ""object-field,"" by merging the formal characteristics of the object with the structural flow of its internal field. This investigation is achieved by exploring the high-resolution features of 3d printing in the design of autonomous architectural objects expressing materiality through topological optimization. The objects are generated by an iterative process of volumetric reduction, resulting in an ensemble of monoliths. Four of them are selected and analyzed through topological optimization in order to extract their internal fields. Next, a series of high-resolution algorithmic systems translate the structural information into 3d printed materiality. Of the four object-fields, one materializes, close to identical, the result of the optimization, giving the keystone to understanding the others. The second one expresses the structural flow through a 1mm voxel system, informed by the optimization, having the effect of stiffening the structure where it is needed and thus generating a new topography on the object. The last two explore the blur that this high-resolution can paradoxically create, with complete integration of the optimal structure in a transparent monolith. This is achieved by a vertex displacement algorithm, and the dissolution of the formal data of the monolith and the structural flows, through the mereological assembly of simple linear elements. For each object-field, a series of drawings was developed using specific algorithmic procedures derived from the peculiarities of their complex geometry. The drawings aim to catalyze coherence throughout the project, where similarities, hitherto kept apart by the multiple materialities, begin to dialogue.
series ACADIA
type project
email samuel.bernier-lavigne@arc.ulaval.ca
last changed 2021/10/26 08:08

_id e1e8
authors Bezier, Pierre E.
year 1978
title General Distortion of an Ensemble of Biparametric Surfaces
source computer Aided Design. March, 1978. vol. 10: pp. 116-120 : ill. includes bibliography
summary When the shape of an object has been numerically defined, it is sometimes necessary to distort it to improve either its technical performance or its aesthetic appearance. After briefly recalling the major properties of space curves and surfaces defined by Bernstein polynomials, it is shown how the result can be automatically obtained by distorting an auxiliary triparametric set of references. The principle of an approximate method for high-order curves and surfaces is explained
keywords curves, curved surfaces, Bernstein, representation, Bezier, computational geometry
series CADline
last changed 2003/06/02 13:58

_id 2006_770
id 2006_770
authors Charbonneau, Nathalie; Dominic Boulerice; David W. Booth and Temy Tidafi
year 2006
title Understanding Gothic Rose Windows with Computer-Aided Technologies
doi https://doi.org/10.52842/conf.ecaade.2006.770
source Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 770-777
summary This paper explains the parameters and methodology at the heart of an ongoing research project that seeks to verify whether one can trace back the genesis of any given artefact or work of art by means of computer-aided modeling. In its endeavour our research team Computer Assisted Design Research Group (GRCAO) aims to initiate and propose novel methods of modeling design processes. This approach is exemplified by a case study dealing with rose tracery designs adorning Gothic cathedrals of 12th and 13th Century Île-de-France. A computerized model reenacting their design process was developed along with an interface enabling the translation of the designer’s intentions into a virtual design space. The stated goal of this research project is to evaluate empirically to what extent our modeling strategies can grasp a given artefact as a logical and articulate ensemble. Furthermore, we seek eventually to determine whether this kind of software programme would prove an adequate tool in the development of the architectural designer’s cognitive abilities.
keywords Architectural modeling; architectural know-how; Gothic rose windows; functional programming
series eCAADe
email nathalie.charbonneau@umontreal.ca
last changed 2022/06/07 07:55

_id caadria2022_42
id caadria2022_42
authors Chen, Jielin and Stouffs, Rudi
year 2022
title Robust Attributed Adjacency Graph Extraction Using Floor Plan Images
doi https://doi.org/10.52842/conf.caadria.2022.2.385
source Jeroen van Ameijde, Nicole Gardner, Kyung Hoon Hyun, Dan Luo, Urvi Sheth (eds.), POST-CARBON - Proceedings of the 27th CAADRIA Conference, Sydney, 9-15 April 2022, pp. 385-394
summary Architectural design solutions are intrinsically structured information with a broad range of interdependent scopes. Compared to conventional 2D Euclidean data such as orthographic drawings and perspectives, non-Euclidean data (e.g., attributed adjacency graphs) can be more effective and accurate for representing 3D architectural design information, which can be useful for numerous design tasks such as spatial analysis and reasoning, and practical applications such as floor plan parsing and generation. Thus, getting access to a matching attributed adjacency graph dataset of architectural design becomes a necessity. However, the task of conveniently acquiring attributed adjacency graphs from existing architectural design solutions still remains an open challenge. To this end, this project leverages state-of-the-art image segmentation techniques using an ensemble learning scheme and proposes an end-to-end framework to efficiently extract attributed adjacency graphs from floor plan images with diverse styles and varied levels of complexity, aiming at addressing generalization issues of existing approaches. The proposed graph extraction framework can be used as an innovative tool for advancing design research infrastructure, with which we construct a large-scale attributed adjacency graph dataset of architectural design using floor plan images retrieved in bulk. We have open sourced our code and dataset.
keywords attributed adjacency graph, floor plan segmentation, ensemble learning, architectural dataset, SDG 9
series CAADRIA
email chen.jielin@u.nus.edu
last changed 2022/07/22 07:34

_id d9d0
authors Cohen Egler, Tamara Tania
year 1999
title Río Digital (Digital Rio)
source III Congreso Iberoamericano de Grafico Digital [SIGRADI Conference Proceedings] Montevideo (Uruguay) September 29th - October 1st 1999, pp. 478-481
summary RioDigital is a text situated on new forms of expression of knowledge over the city. It is a written multimedia whose objective is to place in disposability for the society the complexity of urban space on its multiple historical determinations, of its space, social and cultural forms. It is a research over the potentials of digital art to express the processes of constitution of social forms and constructions of urban space. The motion of works was in the sense of using this language to reconstitute and vivify the history of Rio de Janeiro city in the XX century. The city is an ensemble of symbols that encounters the language in its best form of presentation. The research identified visual documents as films, photos and maps that made possible to reconstruct processes of transformation, worked through the use of digital images technology that allows expression and turns move perceptible the transmission of this history. The digital image is certainly a possibility to represent urban reality. Through movement, illumination of image and of writing it was possible to express to process of construction and reconstruction of space building and social changes. We understand that the condition of citizen is associated with the feeling of belonging, which urban process every time move complex and difficult to understand, that new technologies can through synthesis, connectivity and interactivity expand the capacity of indivils to know the city and act positively with it. It is an intention to amplify the sense of belonging and encourage the action of transform.
series SIGRADI
email tamara@ippur.ufrj.br
last changed 2016/03/10 09:49

_id ijac201917102
id ijac201917102
authors Cutellic, Pierre
year 2019
title Towards encoding shape features with visual event-related potential based brain–computer interface for generative design
source International Journal of Architectural Computing vol. 17 - no. 1, 88-102
summary This article will focus on abstracting and generalising a well-studied paradigm in visual, event-related potential based brain–computer interfaces, for the spelling of characters forming words, into the visually encoded discrimination of shape features forming design aggregates. After identifying typical technologies in neuroscience and neuropsychology of high interest for integrating fast cognitive responses into generative design and proposing the machine learning model of an ensemble of linear classifiers in order to tackle the challenging features that electroencephalography data carry, it will present experiments in encoding shape features for generative models by a mechanism of visual context updating and the computational implementation of vision as inverse graphics, to suggest that discriminative neural phenomena of event-related potentials such as P300 may be used in a visual articulation strategy for modelling in generative design.
keywords Generative design, machine learning, brain–computer interface, design computing and cognition, integrated cognition, neurodesign, shape, form and geometry, design concepts and strategies
series journal
email cutellic@arch.ethz.ch
last changed 2019/08/07 14:04

_id caadria2020_141
id caadria2020_141
authors Dezen-Kempter, Eloisa, Mezencio, Davi Lopes, Miranda, Erica De Matos, De Sá, Danilo Pico and Dias, Ulisses
year 2020
title Towards a Digital Twin for Heritage Interpretation - from HBIM to AR visualization
doi https://doi.org/10.52842/conf.caadria.2020.2.183
source D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 183-191
summary Data-driven Building Information Modelling (BIM) technology has brought new tools to efficiently deal with the tension between the real and the virtual environments in the field of Architecture, Engineering, Construction, and Operation (AECO). For historic assets, BIM represents a paradigm shift, enabling better decision-making about preventive maintenance, heritage management, and interpretation. The potential application of the Historic-BIM is creating a digital twin of the asset. This paper deals with the concept of a virtual environment for the consolidation and dissemination of heritage information. Here we show the process of creating interactive virtual environments for the Pampulha Modern Ensemble designed by Oscar Niemeyer in the 1940s, and the workflow to their dissemination in an AR visualization APP. Our results demonstrate the APP feasibility to the Pampulha's building interpretation.
keywords Augmented Reality (AR); Historic Building Information Modelling (HBIM); Heritage Interpretation; Modern Architecture
series CAADRIA
email eloisak@unicamp.br
last changed 2022/06/07 07:55

_id c307
authors Dobbins, John J.
year 1994
title Problems of Chronology, Decoration, and Urban Design in the Forum at Pompeii
source American Journal of Archaeology, vol. 08, no. 4, October, pp. 629-694
summary This article offers an archaeological and structural analysis of the four main buildings on the east side of the forum at Pompeii and challenges widely published and generally accepted views about the forum. Major problems of chronology, decoration, and urban design are emphasized through a methodology that rejects the prevalent building-by-building approach to the forum in favor of an approach that allows the significance of the urban ensemble to reveal itself. Connections with Rome in areas of building type, iconography, and design are stressed. A reexamination of the evidence points to a comprehensive post-earthquake (i.e., post-62) plan for the east side of the forum, a design whose hallmarks are the unification and monumentalization of the urban center. These goals were achieved by blocking streets, linking facades, upgrading building materials, and emphasizing the now more prominent northeastern and southeastern entrances. The concomitant economic implications are significant. Rather than being a symbol of the depressed economic conditions at Pompeii after 62, the forum with its vigorous and ambitious post-earthquake building program reveals both a de- sire to rebuild on a grand scale and an ability (with assistance from Rome?) to carry it out.
series journal paper
last changed 2003/04/23 15:14

_id ga0021
id ga0021
authors Eacott, John
year 2000
title Generative music composition in practice - a critical evaluation
source International Conference on Generative Art
summary This critical evaluation will discuss 4 computer based musical works which, for reasons I shall explain, I describe as non-linear or generative. The works have been constructed by me and publicly performed or exhibited during a two year period from October 1998 to October 2000. ‘In the beginning…’ interactive music installation, strangeAttraction, Morley Gallery, London. July 1999 ‘jnrtv’ live generative dance music May 1999 to Dec 2000 ‘jazz’ interactive music installation, another strangeAttraction Morley Gallery, London. July 2000-09-26 ‘the street’ architectural interactive music installation, University of Westminster Oct 2000 Introduction I have always loved the practice of composing, particularly when it means scoring a work to be played by a live ensemble. There is something about taking a fresh sheet of manuscript , ruling the bar lines, adding clefs, key and time signatures and beginning the gradual process of adding notes, one at a time to the score until it is complete that is gratifying and compensates for the enormous effort involved. The process of scoring however is actually one distinct act within the more general task of creating music. Recently, the notion of ‘composing’ has met challenges through an increased interest in non-linear compositional methods. It is actually the presence of Chaotic or uncontrolable elements which add real beauty to music and many if not all of the things we value. If we think of a sunset, waves lapping on the shore, plants, trees a human face and the sound of the human voice, these things are not perfect and more importantly perhaps, they are transient, constantly changing and evolving. Last year and again this year, I have organised an exhibition of interactive , non-linear music installations called 'strangeAttraction'. The title refers to what Edward Lorenz called a ‘strange attractor’ the phenomenon that despite vast degrees of Chaos and uncertainty within a system, there is a degree of predictability, the tendency for chaotic behaviour to ‘attract’ towards a probable set of outcomes. Composition that deals with 'attractors' or probable outcomes rather than specific details which are set in stone is an increasingly intriguing notion.
series other
more http://www.generativeart.com/
last changed 2003/08/07 17:25

_id avocaad_2003_01
id avocaad_2003_01
authors Jack Breen
year 2003
title VISTA VERSA – Critical Considerations on the Evolvement of Designerly Attitudes, Instruments and Networks in Design Driven Studies
source LOCAL VALUES in a NETWORKED DESIGN WORLD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Stellingwerff, Martijn and Verbeke, Johan (Eds.), (2004) DUP Science - Delft University Press, ISBN 90-407-2507-1.
summary Keynote Paper - We are all involved in design.Besides being the (sub)conscious recipients of all sorts of design driven activities, we are professionally concerned with products of design and acts of designing, either as practitioners or as academics, in some cases as both… As someone who was trained as a designer, drifted into design teaching and presently attempts to combine composition research with design practice, I feel there is a need to bridge the cultural gap between design and design research. I intend to put forward the case for more designerly approaches in the study of design. In this context I would like to discuss perspectives for design driven studies by considering the following ensemble of aspects:- the matter of shifting attitudes to design in a scientific context; - the necessity of expanding the scope of instruments of design in relation to methods and insights. - the furthering of opportunities for networks aimed at bringing out and communicating findings concerning different aspects of design.It is on the topic of interaction, between the targeted creativity of designing on the one hand and the open minded search for relevant knowledge, insights and applications on the other, that I would like to dwell. Furthermore, I hope to provoke some thoughts – and hopefully responses – concerning the roles of computer based applications in such studies. What kinds of impulses have computer technologies offered, should they perhaps have offered and indeed might they still be able to offer in this field? I would like to by take a critical look back and try to turn things around, towards a possible view forward…
keywords Architecture, Local values, Globalisation, Computer Aided Architectural Design
series AVOCAAD
email J.L.H.Breen@bk.tudelft.nl
last changed 2006/01/16 21:38

_id 2006_458
id 2006_458
authors Laskari, Iro
year 2006
title Automatic production of paths within audiovisual “narrative space” by making use of genetic algorithms
doi https://doi.org/10.52842/conf.ecaade.2006.458
source Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 458-461
summary This paper documents the theoretical aspect of a research project that deals with the application of an artificial life (AL) approach to engraving coherent paths within the narrative space of video fragments. These paths, which are constituted by the succession of short video segments, represent the best way to juxtapose isolated elements in the overall narrative landscape. In this case the notion of space is being used in a metaphorical way. Once this has been clarified, the concept of “narrative space” is used as a metaphorical representation of a database comprising all the fragmented/autonomous narrations that are being used. Therefore, the creation of an “intelligent” system that will be able to automatically create cinematographic narration is being examined. This project in particular investigates the possibility and the consequences of producing an autonomous cinematographic narration system, in which meaning results from a kind of hypermontage (Hakola, http://www.kromaproductions.net/HYPERMONTAGE.htm: Jan 2003) conditioned by genetic algorithms. A different type of spatial experience emerges when the video fragments used are automatically “put together” by the system. Video as a medium could be considered as representing crystallized shortcuts within physical reality. Since video fragments constitute the database, different elements of constructed space are parts of the same ensemble. From the composition of such fragments, there emerge new paths within the same spatial context and certain spatial experiences are formulated which are different from the ones experienced by actors during the shootings.
keywords Non - linear narrative; cinematic language; Artificial Life
series eCAADe
email ilaskar@media.uoa.gr
last changed 2022/06/07 07:52

_id ecaade2022_302
id ecaade2022_302
authors Lu, Xin, Meng, Zeyuan, Rodriguez, Alvaro Lopez and Pantic, Igor
year 2022
title Reusable Augmented Concrete Casting System - Accessible method for formwork manufacturing through holographic guidance
doi https://doi.org/10.52842/conf.ecaade.2022.1.371
source Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 1, Ghent, 13-16 September 2022, pp. 371–380
summary Reinforced concrete has been one of the essential materials for modern architecture for the last hundred years. Its use is entirely global, having been adopted by all cultures and styles since its invention in the late 19th century. Although its value is excellent due to its low cost, durability and adaptability, its environmental impact is significant, being, in fact, one of the most polluting industries in the world (Babor et al. 2009). This experimental project will research a more sustainable use of concrete, exploring a new form of reusable concrete formwork that will ideally reduce the CO2 footprint by removing wood waste in the casting process and replacing it with adaptable metal components. The modular part-based system for the concrete casting also attempts to simplify one of the current complexities for concrete construction, the Skilled-Labour shortage. (Yusoff et al. 2021). To mitigate this problem, the project also proposes using an Augmented Assembly logic for the casting parts to guide the ensemble and dismantle the formwork through an optimised algorithmic logic. The use of Augmented Reality as a replacement for traditional paper instructions will facilitate access to more workers to this construction art and potentially improve access to optimised use of concrete in developing communities with restricted building technological resources.
keywords Mixed Reality, Distributed Manufacturing, Augmented Manufacturing, Sustainability, Computational Design, Concrete Casting
series eCAADe
email x.lu.19@ucl.ac.uk
last changed 2024/04/22 07:10

_id caadria2019_464
id caadria2019_464
authors Scott, Sophie, Doherty, Ben, Fabbri, Alessandra, Gardner, Nicole and Haeusler, M. Hank
year 2019
title Discoverable Desks - Finding location and orientation in a mobile workplace
doi https://doi.org/10.52842/conf.caadria.2019.2.653
source M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 653-662
summary The drive towards increasing productivity through collaborative ways of working has spurred a parallel trend in flexible and adaptable workplace environments. Mobile desks are one feasible solution to this but workplaces that adopt mobile desks risk creating spatial inefficiencies. These range from overcrowding or underutilization, to potential compliance issues in terms of fire egress requirements and health and safety regulations. While there is a need to understand mobile desking configurations there are currently no well-established ways to track the location and orientation of mobile desks within workplaces. Consequently, this paper describes a research project that adopts an action research methodology as an iterative and participatory framework to investigate and develop a unique method for capturing the location and orientation of freely moveable desks in an open workplace environment. This uses an ensemble of Bluetooth location beacons and computer vision techniques to provide a finer resolution than either method alone can currently provide. The demonstration of this ensemble method is the main contribution of this work. This paper demonstrates that combining these methods can enhance the advantages of each; computer vision gives higher resolution and beacons reduce the scope of the image search task
keywords Indoor Positioning Systems; Office Space Planning; Location Data; Computer vision; activity-based working
series CAADRIA
email m.haeusler@unsw.edu.au
last changed 2022/06/07 07:56

_id caadria2006_633
id caadria2006_633
authors WAN-YU LIU
year 2006
title THE EMERGING DIGITAL STYLE: Attention shift in architectural style recognition
doi https://doi.org/10.52842/conf.caadria.2006.x.g4f
source CAADRIA 2006 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Research in Asia] Kumamoto (Japan) March 30th - April 2nd 2006, 633-635
summary “Style” has long been an important index to observe the design thinking of designers in architecture. Gombrich (1968) defined style as a particular selection from the alternatives when doing things; Ackerman (1963) considered that a distiguishable ensemble of certain characteristics we call a style; Schapiro (1961) pointed out that style is constant forms, and sometimes the constant elements, qualities and expression; Kirsch (1998), Cha and Gero (1999) thought of style as a form element and shape pattern. As Simon and others referred to, style emerged from the process of problem solving, Chan (1994, 2001) ever devised a serious of experiments to set up the operational definitions of style, further five factors that relate to generating styles. Owing to that the greater part of sketches and drawings in the design process couldn’t be replaced by computer-aided design systems (Eisentraut, 1997), designers must shift between different problem-solving methods while facing different design problems. The purpose in this research is to discuss the influences of computer usage on style generation and style recognition: The employment of certain procedural factors that occurred in the design processes that using conventional media is different from the ones that using computer media? Do personal styles emerge while designers shifting between different media in the design processes? Does any unusual phenomenon emerge while accustomed CAD-systems designers recognizing a style?
series CAADRIA
email Giselle@arch.nctu.edu.tw
last changed 2022/06/07 07:49

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