| id |
112caadria2004 |
| authors |
Chun Yu Hsieh |
| year |
2004 |
| title |
The Emergence of Creativity in Digital Development of Architecture |
| source |
CAADRIA 2004 [Proceedings of the 9th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] Seoul Korea 28-30 April 2004, pp. 173-188 |
| doi |
https://doi.org/10.52842/conf.caadria.2004.173
|
| summary |
Research into the various forms and processes of creativity has been a topic of great interest in the design field for many years. However, most studies avoid questioning whether digital architecture is inherently creative in a larger social context. This study proposes to use the interacting creativity model of Csiksentmihalyi as the basic structure, to establish the major criteria of testing creativity in the digital era. There are two objectives: first, whether digital architecture can pass the test in society and culture to become an architecture that embodies creativity; second, to find out the role of digital media in Csiksentmihalyi’s interacting creativity model. |
| series |
CAADRIA |
| email |
|
| full text |
 file.pdf (167,517 bytes) |
| references |
Content-type: text/plain
|
Akin, O. (1996)
 Frames of reference in architectural design: analyzing the hyper acclamation (A-h-a-!)
, Design Study 17: 341-361
|
|
|
|
|
Boden, M. A. (1991)
The Creativity Mind: Myths and Mechanisms
, New York, Basic Books
|
|
|
|
|
Boissere, O. and M. Filler (1990)
The Vitra Design Museum Frank Gehry Architecture
, New York, Rizzoli International Publication, Inc.
|
|
|
|
|
Bonnardel, N. (2000)
Towards understanding and supporting creativity in design: analogies in a constrained cognitive environment
, Knowledge-Based System 13: 505-513
|
|
|
|
|
Cross, N. (1997)
Descriptive models of creative design: application to an example
, Design Study 18: 427-455
|
|
|
|
|
Csiksentmihalyi, M. (1996)
Creativity
, New York, Brockman, Inc.
|
|
|
|
|
Csikszentmihalyi (1988)
Society, culture, and person: a system view of creativity
, The Nature of Creativity, Cambridge University Press. Cambridge UK: 325-339
|
|
|
|
|
Gardner, H. (1991)
Creative lives and creative works: a synthetic scientific approach
, The Nature of Creativity. R. J. Sternberg. Cambridge, Cambridge University Press: 298-321
|
|
|
|
|
Gardner, H. (1998)
Frames of Mind
, New York, Basic Books and HarperCollins Publisher Inc.
|
|
|
|
|
Gero, J. S. (1995)
Computers and creative design
, CAADFuture, Australia
|
|
|
|
|
Gero, J. S. (1996)
Creativity emergence and evolution in design
, Knowledge-Based System 9: 435-448
|
|
|
|
|
Hayes. J. R. (1989)
Cognitive process in creativity
, Handbook of creativity. J. A. Glover, R. R. Ronning and C. R. Reynolds. New York, Plenum Press: 135-45
|
|
|
|
|
Huang, S.-Y. (2001)
Some phenomena of creativity in design with computer media
, Computational and Cognitive Models of Creative Design, Australia
|
|
|
|
|
Kim, S. H. (1990)
Essence of Creativity
, New York, Oxford University Press
|
|
|
|
|
Kletke, M. G. (2001)
Creativity in the organization: the role of individual creative problem solving and computer support
, Human-Computer Studies 55: 217-237
|
|
|
|
|
Kokotovoch, V. (2000)
Mental synthesis and creativity in design: an experimental examination
, Design Study 21: 437-449
|
|
|
|
|
Kolarevic, B. (2000)
Digital architecture
, ACADIA 2000: Eternity, Infinity and Virtuality, American
|
|
|
|
|
Liu, Y.-T. (1999)
Creativity or novelty?
, Design Study 21(3): 261-276
|
|
|
|
|
Minsky, M. (1985)
The society of the mind
, New York, Simon &Schuster
|
|
|
|
|
Mitchell, W. J. (2003)
Beyond Productivity: Information Technology, Innovation, and Creativity
, Washington, D.C., National Research Council
|
|
|
|
| last changed |
2022/06/07 07:56 |
|
