| id |
acadia13_355 |
| authors |
Sheil, Bob |
| year |
2013 |
| title |
PerFORM/The Scan: Experimental studies in 3D Scanning and Theatrical Performance |
| doi |
https://doi.org/10.52842/conf.acadia.2013.355
|
| source |
ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 355-360 |
| summary |
PerFORM/The Scan (2013) develops 1:1 collaborative and site specific acts between designers and performers through 3D scanning, bespoke instrumentation, robotics, rehearsal and live performance. With a particular emphasis on how 3D scanning may be manipulated in situ, the work seeks to mediate between live performance and digital representation, and thus explores a new relationship between the performance and audience through time and location. The work is defined by two acts, the first taking place in April 2013 (Act 1), and the second in September 2013 (Act 2), at the Royal Central School of Speech and Drama, London. |
| keywords |
Tools and Interfaces: Design, Scenography, Prototyping, Performance, Scanning, Modelling, Mediation |
| series |
ACADIA |
| type |
Normal Paper |
| email |
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| full text |
 file.pdf (1,397,401 bytes) |
| references |
Content-type: text/plain
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Rowe, C. (1982)
 Transparency: Literal and Phenomenal (with Robert Slutzky)
, The Mathematics of the Ideal Villa and Other Essays. MIT Press
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| last changed |
2022/06/07 07:56 |
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