id |
acadia15_110 |
authors |
Marcu, Mara; Tang, Ming |
year |
2015 |
title |
Data Mapping and Ornament in Digital Craft |
source |
ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 110-120 |
doi |
https://doi.org/10.52842/conf.acadia.2015.110
|
summary |
With an ever-increasing index of digital artifacts, we have begun to exhaust variation as an adaptive technique. The problem with incremental modulation (here understood as sequential and slowly progressing change of a set of parameters within a field condition) is that in essence it leads to morphologically equivalent and, hence, repetitive patterns of habitation. While the role of variation proved key in pushing forward an essential body of research testing and optimizing principles of mass customization, its residual effects become critically disconcerting. This paper presents an investigation of tectonic mutations for the generation of form, seen through data simulation experiments and machining artifacts. Through several projects we investigate the effects of ornament created as a result of the new relationship between generative modeling, simulation, and fabrication in the digital age. Subject to (de)generative mutation techniques, ornament can be under-stood as a result of overlaid data, whether the data is performance related or not, in both massing and surface conditions. This new working methodology will mitigate between the incertitude regarding time, history and memory, and by reinventing their relation it will reassess ornament’s agency within the digital culture. Design methods are extended by exploring, collecting, analyzing, and representing data through various materialization processes. Design is therefore reconsidered as being injected with the concepts of data driven design and dependent on the inter-play between performance and aesthetics. In this way, we consider the footprint - or the subsequent impact - of the human onto the nonhuman using artificial intelligence as a medium. These intentionally or accidentally engraved layers of information begin to describe potential trajectories of novel survival modes in the Anthropocene. |
keywords |
Data mapping, ornament, generative modeling, simulation, CNC fabrication, degenerative mutation |
series |
ACADIA |
type |
normal paper |
email |
|
full text |
file.pdf (3,382,056 bytes) |
references |
Content-type: text/plain
|
Aghaei Meibodi, M. and H. Aghaiemeybodi (2012)
The Synergy Between Structure and Ornament: A Reflection on the Practice of Tectonic in the Digital and Physical Worlds
, Digital Physicality, eds. H. Achten, J. Pavlicek, J. Hulin, D. Matejovska. Proceedings of the 30th eCAADe Conference, Volume 2. Prague: Czech Technical University, Faculty of Architecture
|
|
|
|
Ball, P. (1999)
Bubbles, The Self Made Tapestry - Pattern Formation in Nature
, Cambridge: Oxford Press, Cambridge
|
|
|
|
Deleuze, G. (1987)
A Thousand Plateaus
, Minnesota: University of Minnesota Press
|
|
|
|
Elys, J. (2006)
Digital Ornament
, ACADIA 2006: Synthetic Landscapes, Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture. Louisville, Kentucky: University of Kentucky
|
|
|
|
Hansmeyer, M. (2010)
From Mesh to Ornament: Subdivision as a Generative System
, Future Cities: 28th eCAADe Conference Proceedings. Zurich: ETH Zurich
|
|
|
|
Hofstadter, D. R. (1999)
Introduction
, A Musico- Logical Offering, Godel, Escher, Bach: An Eternal Golden Braid. New York: Basic Books, Inc
|
|
|
|
Kwinter, S. (2008)
Wildness, Far From Equilibrium: Essays on Technology and Design Cul-ture
, Barcelona: Actar
|
|
|
|
Maturana, H. and F. Varela (1980)
Autopoiesis and Cognition: The Realization of the Living
, Boston Studies in the Philosophy of Science, Vol. 42, ed. F. C. Saavedra. Holland: D. Reidel Publishing Company
|
|
|
|
Miller, K. (2011)
Organized Crime: The Role of Ornament in Contemporary Architecture, Parametricism (SPC)
, ACADIA Regional 2011 Conference Proceedings
|
|
|
|
Moussavi, F. (2006)
The Function of Ornament
, Barcelona: Actar
|
|
|
|
Piano, R. (1992)
Renzo Piano Building Workshop: in Search of a Balance
, Tokyo: Process Architecture
|
|
|
|
Picon, A. (2010)
Digital Culture in Architecture
, Germany: Birkha?user Architecture
|
|
|
|
Picon, A. (2013)
Ornament: The Politics of Architecture and Subjectivity
, AD Primer. London, UK: John Wiley and Sons
|
|
|
|
Pye, D. (1995)
The nature and art of workmanship
, 2nd ed. Mu?nchen: Herbert
|
|
|
|
Schodek, D., M. Bechthold, K. Griggs (2005)
Digital Design and Manufacturing
, NJ: John Wiley and Sons
|
|
|
|
Schumacher, P. (2011)
The Autopoiesis of Architecture
, Vol. 1. London, UK: John Wiley and Sons
|
|
|
|
Tang, M., M. Vera, J. Anderson (2011)
Representation and Realizing: A Hybrid Process of Immaterial and Material
, 2011 National Conference on the Beginning Design Student (NCBDS) Lincoln, Nebraska. Mu?nchen: Herbert
|
|
|
|
last changed |
2022/06/07 07:59 |
|