| id |
ascaad2009_hafsa_al_omari |
| authors |
Al-Omari, Hafsa and Luma Al Dabbagh |
| year |
2009 |
| title |
Form in Islamic Architecture: A new vision by using 3D Studio Max program |
| source |
Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 433-450 |
| summary |
Architecture is a record of human civilization, values, principles and concepts. Form (elements and relations) is one of the visual features of identity and self on one hand and expressive features of place and time (scientific and technical development ) on the other hand. Creating new forms from historical forms is considered one of the greatest challenges that face the architect. Research problem centered on the importance of form in Islamic architecture, and the possibility of investment a new scientific method ( 3D Studio Max program) in creating contemporary architecture using historical and traditional Islamic forms. Research divides to three sections. The first is a theoretical framework that determines the importance and the generation and the potentiality of form in Islamic architecture. The second studies the traditional methods that has been used to create a contemporary Arab-Islamic architecture using historical references, then introduce 3D Studio Max program as alternative new scientific method to traditional methods contribute to create a new vision of contemporary Arab Islamic architecture. The conclusions identify the importance of form in the Islamic civilization and showed that the generation of form affected by its potentiality. Research opens new methods that have not been studied previously in creating contemporary Islamic architecture by using the modifier stack in 3D Studio Max program. |
| series |
ASCAAD |
| email |
|
| full text |
 file.pdf (1,631,528 bytes) |
| references |
Content-type: text/plain
|
Abiell, Chris (1988)
 Model & Metaphor in the design of new building types in the Suadi Arabia
, Theories and principles of design in the arch of Islamic Societies, Cambridge, p23-22
|
|
|
|
|
Antoniades, Anthony C. 1990,n, (1990)
Poetics of Architecture; Theory of Design
, Van no strand, New York. p 66, pp 87-102 , p 8
|
|
|
|
|
Comes, Alberto perez (1993)
Architecture and the crisis of modern science
, The MIT press Cambridge, p 301
|
|
|
|
|
Erwan Panafsky (1951)
Gothic Architecture and Scholasticism
, New American Library
|
|
|
|
|
Gelernenter, Mark (1995)
Sources of Architectural form a critical history of western design theory
, Manchester, University press, pp 3-14
|
|
|
|
|
Graber, Oleg (1987)
The formation of Islamic Art, Zale, 22
, University press, New baen and London, pp 209-212
|
|
|
|
|
Grubee, Ernst. J. (1978)
And Others, Architecture Of Islamic World
, William Morrow And Company Inc., New York, pp 8-13
|
|
|
|
|
Guidoni, Enrico (1987)
Primitive Architecture
, Translated by Robert Erich Wolf, Rizzoli, New York, pp 164-183
|
|
|
|
|
Hakim, Besim Selim (1986)
Arabic Islamic Cities Building And Planning Principles
, KPI, Sydeny And Henley, London, New York
|
|
|
|
|
James Steele and Rasem Badran (2005)
The Architecture of Rasem Badran: Narratives on people
, Thames & Hudson, p 41, p 87
|
|
|
|
|
Jenks, Chales (1991)
The language of post modern architecture
, Academy editions, p 81
|
|
|
|
|
Nader Ardalan (1979)
The visual language of symbolic form, preliminary study of architecture
, Architecture as symbol and self identity, proceeding of seminar hold in Fez, Morocco, 10/1979, pp 18-35
|
|
|
|
|
Nesbitt, Kate (1996)
Theorizing anew agenda for architecture: an anthology for architectural theory, 1965-1995
, University press, New York, p 86
|
|
|
|
|
Zevi, Bruno (1993)
Architecture As Space, How To Look At Architecture
, P. A Capo Press, New York
|
|
|
|
| last changed |
2009/06/30 08:12 |
|
