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id ascaad2016_042
authors Goud, Srushti
year 2016
title Parametrizing Indian Karnata-Dravida Temple Using Geometry
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 409-420
summary The Karnata-Dravida temple tradition flourished and evolved for 700 years. The evolution of the typology was demonstrated through the structure. However, as the Shastras or ancient texts proclaim, the underlying principles of geometry remain unchanged. Geometry and the unchanging principles of construction made the architects experiment with form, material and ornamentation. Geometry does not only mean shapes or two dimensional diagrams but it is a rule to amalgamate all the elements to form a dynamic form of a temple. The paper validates the use of geometry through an evolving sequence of Karnata-Dravida temples with the help of an analytical model created using the grasshopper software. The components of the model are based on the geometric rule (the basis for parametrizing) and parameters of the algorithm – plan forms, organizational compositions, vimana or superstructure composition – which result in a geometry. Even though building science is an old tradition, the use of computational procedures reveals the predictable nature of temples in the Dravidian clan and enables the analysis of existing temples, development of new possibilities or evolution of interpreted forms. Hence, enriching the existing understandings of previous scholarships in the field of temple architecture with an entirely new system of interpretation. In the age of technology where analytics plays a crucial role in almost all sectors, ancient temple architecture in India unfortunately falls behind when it comes to computational methods of restoration or reconstruction. This research questions the applicability of computational technology as a facilitator in preserving or reconstructing existing temples while maintaining its creative liberty.
series ASCAAD
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