| id |
caadria2006_589 |
| authors |
YU-NAN YEH |
| year |
2006 |
| title |
FREEDOM OF FORM: THE ORIENTAL CALLIGRAPHY AND AESTHETICS IN DIGITAL FABRICATION |
| doi |
https://doi.org/10.52842/conf.caadria.2006.x.v6f
|
| source |
CAADRIA 2006 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Research in Asia] Kumamoto (Japan) March 30th - April 2nd 2006, 589-591 |
| summary |
Computer-Aided Design (CAD) / Computer-Aided Manufacturing (CAM) related research has been discussed since the 1960's (Ryder, G. et al, 2002, Mark Burry, 2002). Indeed, both Frank O. Gehry and Toyo Ito utilized CAD/CAM to create rich architectural form and in so doing gave birth to a new type of aesthetics. The visualization and liberalization of form space is the single most important characteristic attributable to the use of computers as a design tool. By the 1980's, Laser cutting and Rapid Prototyping techniques developed from CAM, became important new digital tools when researchers and designers discussed the development of form in architecture. |
| series |
CAADRIA |
| email |
|
| full text |
 file.pdf (167,519 bytes) |
| references |
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| last changed |
2022/06/07 07:49 |
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