| id |
caadria2008_7_session1b_061 |
| authors |
Kenzari, Bechir |
| year |
2008 |
| title |
Digital Design and Fabrication |
| doi |
https://doi.org/10.52842/conf.caadria.2008.061
|
| source |
CAADRIA 2008 [Proceedings of the 13th International Conference on Computer Aided Architectural Design Research in Asia] Chiang Mai (Thailand) 9-12 April 2008, pp. 61-67 |
| summary |
The universe of digital fabrication does not only allow buildings to be produced as quick, precise, multiply-generated objects (prototypes) but also reduces, in a very specific way, their presence as original entities. This implies a radical disjunction between the past and the future of the building industry, with all the intrinsic changes and transformations that might affect both the architectural product and the maker. Drawing mainly on Walter Benjamin’s work on technical reproducibility and information, but also on Barthes’ theory of fashion, the present paper will try to analyze the theoretical and practical implications of these transformations. |
| keywords |
Design, fabrication, prototypes, flexibility, Benjamin |
| series |
CAADRIA |
| email |
|
| full text |
 file.pdf (60,778 bytes) |
| references |
Content-type: text/plain
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Bathes, R. (1990)
 The Fashion System
, University of California Press, Berkeley, p. 297
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Benjamin, W. (1968)
Illuminations
, Schoken Books, New York
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Chaszar, A. (2003)
Blurring Lines: an exploration of current cad/cam techniques
, A/D, 73 (1), 111-117
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Coulton, J.J. (1982)
Ancient Greek Architects at Work
, Cornell University Press, Ithaca, NY
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Foster, H. (2002)
Design and Crime
, Verso, London. Pp. 19-20
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Leach, N. (2002)
Introduction
, N. Leach (ed), Designing For a Digital World, Wiley-Academy, London, pp. 6-14
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Lewis, P. (2003)
Walter Benjamin in the Information Age?
, Hans Ulrich Gumbrecht and Michael Marrinan (eds), Mapping Benjamin. Standford University Press, Standford, pp. 221-229
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| last changed |
2022/06/07 07:52 |
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