id |
caadria2013_009 |
authors |
Neves, Isabel Clara; João Rocha and José Pinto Duarte |
year |
2013 |
title |
The Legacy of the Hochschule Für Gestaltung of Ulm for Computational Design Research in Architecture |
doi |
https://doi.org/10.52842/conf.caadria.2013.293
|
source |
Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 293-302 |
summary |
Nowadays the use of computational design processes in architecture is a common practice which is currently recovering a set of theories connected to computer science that were developed in the 60’s and 70’s. Such pioneering explorations were marked by an interest in employing scientific principles and methodologies many developed in Research Centres located in the US and the UK. Looking into this period, this paper investigates the relevance of the German design school of the Hochschule für Gestaltung (HfG) Ulm to the birth of computation in architecture. Even thought there were no computers in the school. It is argued that the innovative pedagogies and some distinct professors have launched clear foundations that can be understood as being at the basis of further computational approaches in architecture. By describing and relating the singular work by Tomas Maldonado (educational project), Max Bense (information aesthetics) and Horst Rittel (scientific methods), this paper describes the emergence of analogical ways of computational design thinking. This analysis ultimately wishes to contribute for inscribing the HfG Ulm at the cultural and technological mapping of computation in architecture. |
wos |
WOS:000351496100029 |
keywords |
HfG - Hochschule für Gestaltung Ulm, Design methods, Scientific methodology, Information aesthetics, Computational design, Architecture |
series |
CAADRIA |
email |
|
full text |
file.pdf (2,305,847 bytes) |
references |
Content-type: text/plain
|
Bense, M. (1972)
Introducción a la estética teórico-informacional : fundamentación y aplicación a la teoría del texto
, Alberto Corazon, Madrid
|
|
|
|
Buchanan, R. (2009)
Thinking about Design: An Historical Perspective, in A. Meijers (ed.)
, Philosophy of Technology and Engineering Sciences, Elsevier, New York, 409–454
|
|
|
|
Frampton, K. (1974)
Apropos Ulm: Curriculum and Critical Theory
, Oppositions, 3, 17–36
|
|
|
|
Krampen, M. and Hormann G. (2003)
The Ulm School of Design: Beginnings of a Project of Unyielding Modernity
, Ernst & Sohn, Berlin
|
|
|
|
Krippendorff, K. (2006)
The Semantic Turn: A New Foundation for Design
, Taylor & Francis, London
|
|
|
|
Lindinger, H. (1991)
Ulm design: the morality of objects
, The MIT, Cambridge, MA
|
|
|
|
Maldonado, T. (1958)
Communication and Semiotics
, Ulm, 5
|
|
|
|
Maldonado, T. (1959)
Glossário de Semiótica, in T. Crosby (ed.)
, Uppercase 5 HFG Ulm, Whitefriars, London
|
|
|
|
Protzen, J.-P. and Harris, D. (2010)
The Universe of Design: Horst Rittel’s Theories of Design and Planning
, Routledge, New York
|
|
|
|
Rocha, J. A. (2004)
Architecture Theory 1960–1980: Emergence of a Computational Perspective
, PhD Dissertation, MIT, Cambridge, MA
|
|
|
|
Rocker, I. (2010)
Emerging Structures: Information Aesthetics and Architecture of the Digital Medium
, PhD Dissertation, Princeton University, Princeton, NJ
|
|
|
|
Spitz, R. (2002)
HfG Ulm and the view behind the foreground: the political history of the Ulm School of Design
, 1953–1968, Axel Menges, Stuttgart
|
|
|
|
last changed |
2022/06/07 07:58 |
|