| id |
caadria2016_683 |
| authors |
Schnabel, Marc Aurel; Serdar Aydin, Tane Moleta, Davide Pierini and Toma?S Dorta |
| year |
2016 |
| title |
Unmediated cultural heritage via Hyve-3D: Collecting individual and collective narratives with 3D sketching |
| source |
Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 683-692 |
| doi |
https://doi.org/10.52842/conf.caadria.2016.683
|
| summary |
Cultural heritage is traditionally mediated through institu- tional bodies that are authorised to broadcast heritage information, whereas new media technologies such as social media platforms con- tinue to enforce individual storytelling and information sharing. Therefore GLAMs (Galleries, Libraries, Archives and Museums) have to cope with a shift of public interest from their services to more ac- cessible, entertaining and democratic engagements available as ‘liv- ing’ media. Unmediated cultural heritage is the paramount aim of this work and, in a theoretical sense, a utopia for generation of authenticity or meaning-making. Within the realm of digital heritage, this study explores the nature of engagement with cultural heritage using an in- novative means. In this phase of the research, a photogrammetric model of Kashgar’s narrow alleys is deployed in a system, called Hy- brid Virtual Environment 3D (Hyve-3D). Via its 3D cursor technolo- gy, the concept of unmediated cultural heritage is unfolded through active participation, collaboration and interaction. Thus, in the context of heritage, this research explores a hitherto undocumented frontier of Hyve-3D designated to immersive collaborative 3D sketching. |
| keywords |
Digital heritage; Hyve-3D; photogrammetry; authenticity; 3D sketching |
| series |
CAADRIA |
| email |
|
| full text |
 file.pdf (4,481,929 bytes) |
| references |
Content-type: text/plain
|
Aydin, S and Schnabel. M. A. (2016)
 The Museum of Gamers: Unmediated Cultural Heritage through Gaming
, K. J. Borowiecki, N. Forbes and A. Fresa (eds.) Cultural Heritage a Changing World, Springer, Basel, 18 (press)
|
|
|
|
|
Aydin, S., Schnabel, M. A. and Moleta, T. (2016)
Transcoding of Game Design into Museology: An Object-Oriented Perspective
, M. Sahand S. Udd(eds.) DCA European Conference 2016, Istanbul (press)
|
|
|
|
|
Dorta, T, Kinayoglu, G. and Hoffmann, M. (2014)
Hyve-3D A New Embodied Interface for Immersive Collaborative 3D Sketching
, SIGGRAPH '14 Studio: Special Interest Group on Computer Graphics and Interactive Techniques Conference, Studio Proceedings, Article 37, Vancouver
|
|
|
|
|
Dorta, T. and Kinayoglu, G. (2014)
Towards A New Representational Ecosystem for The Design Studio
, N. Gu, S. Watanabe, H. Erhan, H. Haeusler, W. Huang, R. Sosa (eds.) Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference of CAADRIA 2014, Kyoto, Japan, 699–708
|
|
|
|
|
Dorta, T., Kinayoglu, G. and Hoffmann, M. (2016)
Hyve-3D and the 3D Cursor: Architectural co-design with freedom in VR"
, International Journal of Architectural Computing (IJAC), MultiScience, Essex, UK, (in press)
|
|
|
|
|
Gero, J. and Kannengiesser, U. (2012)
Representational affordances in design, with examples from analogy making and optimization
, Research in Engineering Design. 23(3), 235–249. Hall, S. 1999, Un-?settling ‘the heritage’, re-?imagining the post-?nationWhose heritage? Third Text. 13(49), 3–13
|
|
|
|
|
Howell, R. and Chilcott, M. (2013)
A sense of place: re-purposing and impacting heritage resource evidence through digital heritage and interpretative practice
, International Journal of Intangible Heritage. 8, 165–177
|
|
|
|
|
Manovich, L. (2001)
The language of new media
, MIT Press, Cambridge, Mass
|
|
|
|
|
Message, K. (2009)
Museums in the Twenty-first Century: Still Looking for Signs of Difference
, Konsthistorisk tidskrift/Journal of Art History, 78(4), 204–221
|
|
|
|
|
Message, K. (2009)
New directions for civil renewal in Britain: Social capital and culture for all?
, International Journal of Cultural Studies, 12(3), 257–278
|
|
|
|
|
Murray, J. H. (1998)
Hamlet on the holodeck: the future of narrative in cyberspace
, MIT Press Cambridge, Mass
|
|
|
|
|
Norman, D. A. (2002)
The design of everyday things
, 1st Basic paperback. ed., Basic Books, New York
|
|
|
|
|
Schnabel, M. A. and Aydin S. (2015)
Amphiboly of Digital Heritage: Why to create authenticity through gamification
, G. Guidi, R. Scopigno, J. C. Torres, H. Graf (eds.) 2nd International Congress on Digital Heritage 2015, VSMM, EUROGRAPHICS, CIPA ICOMOS/ISPRS, IEEE, 2, 129–132
|
|
|
|
|
Schnabel, M. A., Kvan, T., Kuan, S. K. S. and Li, W. (2004)
3D Crossover: Exploring Objets digitalisé: International Journal of Architectural Computing (IJAC)
, MultiScience, Essex, UK, 2(4), 475–490
|
|
|
|
|
Singer, A. (1998)
Beautiful Errors: Aesthetics and the Art of Contextualization
, Boundary 2, 25(1), 7–34
|
|
|
|
|
Smith, L. (2006)
Uses of heritage
, Routledge, London, New York
|
|
|
|
|
Tang, H-H., and Gero, J. S. (2001)
Sketches as Affordances of Meanings in the Design Process
, J. S. Gero, B. Tversky and T. Purcell (eds.), Visual and Spatial Reasoning Design II, Key Centre of Design Computing and Cognition. University of Sydney, Australia, 271–282
|
|
|
|
|
Waterton, E. (2010)
Politics, policy and the discourses of heritage in Britain
, Palgrave Macmillan, London, UK
|
|
|
|
|
Watson, S. and Waterton, E. (2010)
Reading the Visual: Representation and Narrative in the Construction of Heritage
, Material Culture Review, 71(Spring 2010)
|
|
|
|
| last changed |
2022/06/07 07:57 |
|
