id |
caadria2016_797 |
authors |
Agusti?-Juan, Isolda and Guillaume Habert |
year |
2016 |
title |
An environmental perspective on digital fabrication in architecture and construction |
source |
Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 797-806 |
doi |
https://doi.org/10.52842/conf.caadria.2016.797
|
summary |
Digital fabrication processes and technologies are becom- ing an essential part of the modern product manufacturing. As the use of 3D printing grows, potential applications into large scale processes are emerging. The combined methods of computational design and robotic fabrication have demonstrated potential to expand architectur- al design. However, factors such as material use, energy demands, du- rability, GHG emissions and waste production must be recognized as the priorities over the entire life of any architectural project. Given the recent developments at architecture scale, this study aims to investi- gate the environmental consequences and opportunities of digital fab- rication in construction. This paper presents two case studies of classic building elements digitally fabricated. In each case study, the projects were assessed according to the Life Cycle Assessment (LCA) frame- work and compared with conventional construction with similar func- tion. The analysis highlighted the importance of material-efficient de- sign to achieve high environmental benefits in digitally fabricated architecture. The knowledge established in this research should be di- rected to the development of guidelines that help designers to make more sustainable choices in the implementation of digital fabrication in architecture and construction. |
keywords |
Digital fabrication; LCA; sustainability; environment |
series |
CAADRIA |
email |
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full text |
file.pdf (1,437,669 bytes) |
references |
Content-type: text/plain
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last changed |
2022/06/07 07:54 |
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