id |
cf2017_022 |
authors |
Noel, Vernelle A. A. |
year |
2017 |
title |
From Costuming and Dancing Sculptures to Architecture: The Corporeal and Computational in Design and Fabrication of Lightweight Mobile Structures |
source |
Gülen Çagdas, Mine Özkar, Leman F. Gül and Ethem Gürer (Eds.) Future Trajectories of Computation in Design [17th International Conference, CAAD Futures 2017, Proceedings / ISBN 978-975-561-482-3] Istanbul, Turkey, July 12-14, 2017, pp. 22-41. |
summary |
This paper describes a new approach to designing and fabricating costuming and dancing sculptures and the potential application of this system at the architectural scale. I present a novel design system based on the movement, form, and spatial relation of characters and dancing sculptures in the Trinidad Carnival. I also present a system that produces lightweight mobile structures from 3D printed connections, lightweight rods, and textile. Through a detailed case study, a new dancing sculpture is designed, and a full-scale lightweight mobile structure at the architectural scale is fabricated. Fabrication of the lightweight structure is achieved using Digital Crafting and Crafting Fabrication approaches to wire-bending, which includes the early development of a digital fabrication program for rod elements. This work has potential implications for costuming and dancing sculptures; architecture; computational design; and craft practices. |
keywords |
Lightweight Architectural Structures, Trinidad Carnival, Corporeal, Dancing Sculptures, Fabrication |
series |
CAAD Futures |
email |
|
full text |
file.pdf (1,476,242 bytes) |
references |
Content-type: text/plain
|
Asokan, A. and Jonathan C. (2005)
Defining Cultural Identities Using Grammars: An Exploration Of ‘cultural Languages’ to Create Meaningful Experiences
, Proceedings of the 2005 Conference on Designing for User eXperience, DUX ’05. New York, NY, USA: AIGA:American Institute of Graphic Arts
|
|
|
|
Brown, E. D. (1990)
Carnival, Calypso, and Steelband in Trinidad
, The Black Perspective in Music 18 (1/2): 81–100, doi:10.2307/1214859
|
|
|
|
Crowley, D. J. (1956)
The Midnight Robbers
, Caribbean Quarterly 4 (3/4): 263–74, doi:10.2307/40652640
|
|
|
|
Davies, E. (2006)
Beyond Dance: Laban’s Legacy of Movement Analysis
, Revised ed. edition. New York: Routledge
|
|
|
|
Ferreira, M. P., Duarte, C. de M. and Duarte, J. P. (2011)
The Grammar of Movement: A Step Towards a Corporeal Architecture
, Nexus Network Journal 13 (1): 131–49, doi:10.1007/s00004-011-0058-4
|
|
|
|
Goldberg, R. (1979)
Performance: Live Art, 1909 to the Present
, New York: Harry N Abrams
|
|
|
|
Gulick, T. (2000)
Lifetime Achievement Award for Innovation in Arts & Culture
, Nomination of Minshall
|
|
|
|
Hill, E. (1972)
The Trinidad Carnival: Mandate for a National Theatre
, University of Texas Press Austin
|
|
|
|
Jacobs, J. and Amit Z. (2015)
Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter-Gatherer Craft
, Proceedings of the 33rd Annual ACM Conference on Human Factors Computing Systems, 619–628. CHI ’15, New York, NY, USA: ACM, doi:10.1145/2702123.2702362
|
|
|
|
Jeannerod, M. (2006)
Motor Cognition: What Actions Tell to the Self
, 1 edition, Oxford, New York: Oxford University Press
|
|
|
|
Lahusen, S. (1986)
Oskar Schlemmer: Mechanical Ballets?
, Dance Research 4 (2): 65–77
|
|
|
|
Lee, A. (1991)
Class, Race, Colour and the Trinidad Carnival, Social and Occupational Stratification in Contemporary Trinidad & Tobago
, St Augustine: Institute of Social and Economic Research, 417–33
|
|
|
|
Liverpool, H. U. (1998)
Origins of Rituals and Customs in the Trinidad Carnival: African or European?
, TDR (1988-) 42 (3): 24–37
|
|
|
|
Liverpool, H. (2001)
Rituals of Power and Rebellion: The Carnival Tradition in Trinidad and Tobago
, 1763-1962, Frontline Distribution International
|
|
|
|
Maletic, V. (1987)
Body - Space - Expression: The Development of Rudolf Laban’s Movement and Dance Concepts
, Reprint 2010 ed. Berlin; New York: Mouton de Gruyter
|
|
|
|
Martin, C. (1998)
Trinidad Carnival Glossary
, TDR (1988-) 42 (3): 220–35
|
|
|
|
Minshall, P. (1990)
From the Bat to the Dancing Mobile: Technology in Mas
, Illustrative Essay
|
|
|
|
Minshall, P. (2000)
Made in Trinidad
, Caribbean Quarterly 46 (3/4): 95–117, doi:10.2307/40654166
|
|
|
|
Muslimin, R. (2014)
EthnoComputation : On Weaving Grammars for Architectural Design
, Thesis, Massachusetts Institute of Technology
|
|
|
|
Nicholls, R. W. (1999)
The Mocko Jumbie of the U.S. Virgin Islands; History and Antecedents
, African Arts 32 (3): 49–96, doi:10.2307/3337709
|
|
|
|
last changed |
2017/12/01 14:37 |
|