| id |
ddss9805 |
| authors |
Timmermans, Harry (Ed.) |
| year |
1998 |
| title |
The Effects of Cubist Design Theory on Modernism and Post Modernism |
| source |
Fourth Design and Decision Support Systems in Architecture and Urban Planning Maastricht, the Netherlands), ISBN 90-6814-081-7, July 26-29, 1998 |
| summary |
The main aim of this study is to present design theories since 1900s and their evaluation for 2000s. For this reason the basic manifesto; “Modernism” which gives its signs and principles to the identityof 20th century is held as beginning point. The modern movement in architecture in order to fully express 20th century, possessed the “faith in science and technology”, “rationalism and romantic faithin speed” or “the roar of machines”. And also it was treated as a series of discrete art movements like Futurism, Cubism, Constructivism, Dadaism, Surrealism. But one of them; “Cubism” is pointed out tobe the first movement of “Purism” that built “Modernism”. To emphasise the general idea of design theories in 1900s, Cubism is chosen as a point of view and the aim is required to put forward some ideas by criticising cubist design theory and putting some principles about the effects of cubist design theory on modernism and post modernism (trends and periods after modernism). The method of “Conceptualisation”, one of the most important system to begin a design is used while making analysis. In this content, the paper involves five main parts. In the first and second parts, theintroduction to Cubism and First Machine Age are explained. The third part consists of Cubism as an art of painting. In the fourth part cubist design theory and the cubist conceptions are posed. The last part of the survey gives the findings and conclusions aiming to put forward estimations for further designs in the future. |
| series |
DDSS |
| full text |
 file.pdf (64,931 bytes) |
| references |
Content-type: text/plain
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| last changed |
2003/08/27 12:08 |
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