id |
ddss9848 |
authors |
Yyldyrym, Sercan and Doday, Asly |
year |
1998 |
title |
Design Theory and Film |
source |
Timmermans, Harry (Ed.), Fourth Design and Decision Support Systems in Architecture and Urban Planning Maastricht, the Netherlands), ISBN 90-6814-081-7, July 26-29, 1998 |
summary |
Design theories and film work with the same keywords since the designative concepts for both are time and space. At the beginning of the 20th century, the discovery of montage technique and a new esthetic language took place synchronically. This led to an interaction between them. Throughout the paper, this situation has been searched. However, the look is operational. For this reason, other discussions, concerning the topic have been excluded. The discussion is formed basically around four points defined in the 20th century. Four directors: Eisenstein, Tarkovski, Lynch and Greenaway are examined and discussed with their operational methods of filming. Various architects’ works are also searched and discussed with the same operational keywords. The paper aims to disclose the interaction between the topics. |
series |
DDSS |
full text |
file.pdf (46,113 bytes) |
references |
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last changed |
2003/08/07 16:36 |
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