| id |
ecaade2017_184 |
| authors |
Almeida, Daniel and Sousa, José Pedro |
| year |
2017 |
| title |
Tradition and Innovation in Digital Architecture - Reviewing the Serpentine Gallery Pavilion 2005 |
| source |
Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 1, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 267-276 |
| doi |
https://doi.org/10.52842/conf.ecaade.2017.1.267
|
| summary |
Please write your aToday, in a moment when digital technologies are taking command of many architectural design and construction processes, it is important to examine the place and role of traditional ones. Designed by Álvaro Siza and Eduardo Souto de Moura in collaboration with Cecil Balmond, the Serpentine Gallery Pavilion 2005 reflects the potential of combining those two different approaches in the production of innovative buildings. For inquiring this argument, this paper investigates the development of this project from its conception to construction with a double goal: to uncover the relationship between analogical and digital processes, and to understand the architects' role in a geographically distributed workflow, which involved the use of computational design and robotic fabrication technologies. To support this examination, the authors designed and fabricated a 1:3 scale prototype of part of the Pavilion, which also served to check and reflect on the technological evolution since then, which is setting different conditions for design development and collaboration.bstract here by clicking this paragraph. |
| keywords |
Serpentine Gallery Pavilion; Computational Design; Digital Fabrication; Wooden Construction; Architectural Representation; |
| series |
eCAADe |
| email |
|
| full text |
 file.pdf (9,987,500 bytes) |
| references |
Content-type: text/plain
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| last changed |
2022/06/07 07:54 |
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