| id |
ecaade2017_208 |
| authors |
Beaudry Marchand, Emmanuel, Han, Xueying and Dorta, Tomás |
| year |
2017 |
| title |
Immersive retrospection by video-photogrammetry - UX assessment tool of interactions in museums, a case study |
| doi |
https://doi.org/10.52842/conf.ecaade.2017.2.729
|
| source |
Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 729-738 |
| summary |
Studying interactions in museums often omits to consider the complexity of the space and the visitors' behaviors. Visitors' walking paths do not provide enough insight of their user experience (UX) since they are distant from the experiential realities. Videogrammetry can convey such dimensions of an environmental experience. Because of limitations of real-time playback, a twofold approach is suggested: "immersive videos" combined with "photogrammetric models". A granular optimal experience assessment method using retrospection interviews is also applied providing a finer evaluation of the perceived experience through time. This method permits to characterize museum interactive installations, according to the perceived challenges and skills of the interaction's task, based this time on immersive retrospection. This paper proposes the "Immersive retrospection" by "Immersive video-photogrammetry" as a UX assessment tool of interactions in museums. A hybrid virtual environment was used in this study, allowing social VR without the use of headsets, through a life-sized projection of interactive 3D content. The study showed that Immersive video-photogrammetry facilitates the recall of memories and allows a deepened self-observation analysis. |
| keywords |
immersive retrospection; photogrammetry; videogrammetry; UX assessment; museum environments |
| series |
eCAADe |
| email |
|
| full text |
 file.pdf (1,260,413 bytes) |
| references |
Content-type: text/plain
|
Arhippainen, L and Tähti, M (2003)
 Empirical evaluation of user experience in two adaptive mobile application prototypes
, Proceedings of the 2nd International Conference on Mobile and Ubiquitous Multimedia, Linköping University Electronic Press, Linköping, Sweden, pp. 27-34
|
|
|
|
|
Chemero, A, Klein, C and Cordeiro, W (2003)
Events as changes in the layout of affordances
, Ecological Psychology, 15(1), pp. 19-28
|
|
|
|
|
Ciolfi, L and LJ, Bannon (2007)
Designing Hybrid Places: Merging Interaction Design, Ubiquitous Technologies and Geographies of the Museum Space
, CoDesign, 3(3), pp. 159-180
|
|
|
|
|
Csikszentmihalyi, M (eds) (1997)
Creativity: Flow and the Psychology of Discovery and Invention
, Harper Collins., New York
|
|
|
|
|
Dorta, T, Kinayoglu, G and Hoffmann, M (2016)
Hyve-3D and the 3D Cursor: Architectural co-design with freedom in Virtual Reality
, International Journal of Architectural Computing, 14(2), pp. 87-102
|
|
|
|
|
Falk, JH and Dierking, LD (2016)
The Museum Experience Revisited
, Routledge
|
|
|
|
|
Gibson, JJ (2014)
Approche écologique de la perception visuelle
, Dehors, Bellevaux
|
|
|
|
|
Hartson, R and Pyla, PS (2012)
The UX Book: Process and Guidelines for Ensuring a Quality User Experience
, Elsevier
|
|
|
|
|
Hsi, S (2003)
A study of user experiences mediated by nomadic web content in a museum
, Journal of Computer Assisted Learning, 19(3), p. 308-319
|
|
|
|
|
Kanade, T, Rander, P and Narayanan, PJ (1997)
Virtualized reality: Constructing virtual worlds from real scenes
, IEEE multimedia, 4(1), pp. 34-47
|
|
|
|
|
Levent, N and Pascual-Leone, A (eds) (2014)
The multisensory museum: Cross-disciplinary perspectives on touch, sound, smell, memory, and space
, Rowman & Littlefield
|
|
|
|
|
Massimini, F and Carli, M (1988)
The systematic assessment of flow in daily experience
, Csikszentmihalyi, M and Csikszentmihalyi, IS (eds), Optimal Experience: Psychological Studies of Flow in Consciousness, Cambridge University Press, New York, pp. 266-287
|
|
|
|
|
Mortensen, MF (2010)
Museographic Transposition: The Development of a Museum Exhibit on Animal Adaptations to Darkness
, Éducation et Didactique, 4(1), p. 115-138
|
|
|
|
|
Pujol, L, Roussou, M, Poulou, S, Balet, O, Vayanou, M and Ioannidis, Y (2012)
Personalizing interactive digital storytelling in archaeological museums: the CHESS project
, Proceedings of 40th annual conference of computer applications and quantitative methods in archaeology, Amsterdam University Press
|
|
|
|
|
Riva, G, Waterworth, JA, Waterworth, EL and Mantovani, F (2011)
From intention to action: the role of presence
, New Ideas in Psychology, 29(1), pp. 24-37
|
|
|
|
|
Safin, S, Dorta, T, Pierini, D, Kinayoglu, G and Lesage, A (2016)
Design Flow 2.0, assessing experience during ideation with increased granularity: A proposed method
, Design Studies, 47, pp. 23-46
|
|
|
|
|
Samis, P (2008)
The Exploded Museum
, Tallon, L and Walker, K (eds), Digital Technologies and the Museum Experience, Alta Mira Press, Walnut Creek, p. 3-18
|
|
|
|
|
Schubert, T, Friedmann, F and Regenbrecht, H (2001)
The experience of presence: factor analytic insights
, Presence, 10(3), p. 266-281
|
|
|
|
|
Stoffregen, TA, Gorday, KM, Sheng, YY and Flynn, SB (1999)
Perceiving affordances for another person's actions
, Journal of Experimental Psychology: Human Perception and Performance, 25(1), p. 120-136
|
|
|
|
| last changed |
2022/06/07 07:54 |
|
