| id |
ecaade2022_197 |
| authors |
Giglio, Andrea, Gorbet, Rob and Beesley, Philip |
| year |
2022 |
| title |
Hybrid Soundscape: Human and non-human sounds interactions for a collective installation |
| doi |
https://doi.org/10.52842/conf.ecaade.2022.1.441
|
| source |
Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 1, Ghent, 13-16 September 2022, pp. 441–447 |
| summary |
The paper describes a site-specific architectural soundscape installation created during a workshop in August 2021 at the Domaine de Boisbuchet in France. Far from urban noise, participants were attuned to natural, artificial, and human sound spheres, placing them in dialog and interweaving them through emulation, voice recording, and electro-acoustic devices including piezoceramic sensors, small motors, speakers, and embedded electronics. This expository paper includes qualitative descriptions of the spatial sound compositions, the technology that supported them, and the performance into which they were integrated. The results of this event were described by participants as trance-like, with phasing of multiple periodically organized emergent sound phenomena creating a deeply immersive distributed environment. In describing in detail, the tools, processes, outcomes and implications of the workshop, this paper offers an example of a design approach and model that can contribute immersive distributed architectural soundscape design through human and non-human sound interaction. |
| keywords |
Spatial Sound, Hybrid Soundscape, Acoustic Responsive Devices, Human-Nonhuman Sound Interaction, Collective Installation |
| series |
eCAADe |
| email |
|
| full text |
 file.pdf (3,344,842 bytes) |
| references |
Content-type: text/plain
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| last changed |
2024/04/22 07:10 |
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