id |
ijac20108408 |
authors |
Brown, Andre; Nicholas Webb |
year |
2010 |
title |
Examination of the Designs by Auguste Perret Using Digitally-Enabled Forensic Techniques |
source |
International Journal of Architectural Computing vol. 8 - no. 4, p. 537 |
summary |
This paper discusses how digitally-enabled techniques can be used to augment our understanding of a designer's work, particularly in relation to unbuilt or lost projects. In the first half of the twentieth century Auguste Perret gained international recognition for his buildings and we employ two of his unbuilt museums as the basis for illustration of the technique. Current knowledge of his unbuilt projects is based on surviving literature and incomplete illustrations. We show that the use of digitally-enabled techniques facilitates a fuller examination of the original material. Interpretation of material requires parallel studies into the architect, their influences and the context they operated within in order to extrapolate and fill gaps in an informed way. The construction of various digital representations enables a forensic analysis of the projects; consequently we can produce a richer set of information that can, in turn, enhance our analysis and understanding of an architect and their work, in this case, Perret. |
series |
journal |
full text |
file.pdf (4,474,731 bytes) |
references |
Content-type: text/plain
|
Brown, A.G.P. (2001)
Architectural critique through digital scenario building: Augmenting Architectural Criticism and Narrative
, Proceedings of the Ninth International Conference on Computer Aided Architectural Design Futures, Eindhoven, 8-11 July 2001, pp. 697–709
|
|
|
|
Burry, J and Burry M. (2006)
Sharing hidden power-Communicating latency in digital models
, Communicating Space(s): 24th eCAADe Conference Proceedings,Volos (Greece) September, pp. 786–793
|
|
|
|
Collins, P. (2004)
Concrete:The Vision of a New Architecture
, McGill-Queen’s University Press, Canada
|
|
|
|
Frampton, K. (1992)
Modern Architecture: A Critical History
, Thames and Hudson Ltd, London
|
|
|
|
Harfmann, A. and Akins, P. (2000)
The Composite Building Sketch. Eternity, Infinity and Virtuality in Architecture
, Proceedings of the 22nd Annual Conference of the Association for Computer-Aided Design in Architecture
|
|
|
|
Jarzombek, M. (2004)
Disguised Visibilities: Dresden
, Bastéa, E, Memory and Architecture. New Mexico: University of New Mexico Press, pp. 49–78
|
|
|
|
Kensek, K. (2005)
Digital Reconstructions: Confidence and Ambiguity
, SIGraDi 2005 [Proceedings of the 9th Iberoamerican Congress of Digital Graphics], 2005, 640–644
|
|
|
|
Knight, M., Bandyopadhyay, S., Berridge, P. and Brown, A. (2001)
Digital Hindcasting - Critical Analysis through Virtual Reconstruction
, Architectural Information Management, 2001, 529–533
|
|
|
|
Novitski, B. (1998)
Rendering Real and Imagined Buildings
, Rockport Publishers Inc., Gloucester, Massachusetts
|
|
|
|
Perret, A. (1929)
Le Musée Moderne
, Mouseion (9), 1929, 225–35
|
|
|
|
Renfrew, C. (1997)
Foreword
, Forte, M. and Siliotti, A., eds., Virtual Archaeology: Great Discoveries Brought to Life Through Virtual Reality,Thames and Hudson Ltd, London, 1997, 7
|
|
|
|
Sky, A. and Stone, M. (1983)
Unbuilt America: Forgotten Architecture in the United States from Thomas Jefferson to the Space Age
, Abbeville Press Inc., United States
|
|
|
|
Stamp, G. (2007)
Britain’s lost cities
, Aurum, London
|
|
|
|
Watkin, D. (2000)
A History of Western Architecture
, Laurence King Publishing, London
|
|
|
|
last changed |
2019/05/24 09:55 |
|