id |
sigradi2010_165 |
authors |
Kosminsky, Doris |
year |
2010 |
title |
A imagem digital como possibilidade de disrupção de estruturas dicotômicas [The digital image as a disruptive possibility of dichotomous structures] |
source |
SIGraDi 2010_Proceedings of the 14th Congress of the Iberoamerican Society of Digital Graphics, pp. Bogotá, Colombia, November 17-19, 2010, pp. 165-168 |
summary |
In this text we discuss the disruption possibilities in the contextual structures of occidental dichotomies, considering the changes produced by the new technologies of production, reproduction and consumption of digital images. We believe that the digital image, as a sign system that is less committed to social reality, is capable of producing a critical dialogue, expanding perception and founding a new visual poetic. We start with Belting’s iconological triad—image, media, body—to approach hybridization processes that suggest a disruption tendency of old dichotomies. |
keywords |
disruption; dichotomy; image; body; media |
series |
SIGRADI |
email |
|
full text |
file.pdf (98,939 bytes) |
references |
Content-type: text/plain
|
(2005)
There are no visual media
, Journal of Visual Culture. 4 (2), 257-266
|
|
|
|
(2005)
What Do Pictures Want? The Lives and Loves of Images
, University of Chicago Press, Chicago
|
|
|
|
(2008)
Visual Literacy or Literary Visualcy?
, Elkins, J. Visual Literacy, Routledge, New York
|
|
|
|
Belting, H. (2005)
Image, medium, body: A new approach to Iconology
, Critical Inquiry 31. The University of Chicago Press, Winter, Chicago. pp. 302-319
|
|
|
|
Crary, J. (1992)
Techniques of the Observer: On Vision and Modernity in the Nineteenth Century
, The MIT Press, Massachusetts
|
|
|
|
Manovich, L. (2001)
The Language of New Media
, The MIT Press, Cambridge and London
|
|
|
|
Mitchell, W. J. T. (1987)
Iconology
, Image, Text, Ideology, University Of Chicago Press, Chicago
|
|
|
|
last changed |
2016/03/10 09:54 |
|