| id |
sigradi2011_198 |
| authors |
Aroztegui Massera, Carmen |
| year |
2011 |
| title |
La cámara en la animación de arquitectura. Reconsiderando “la mirada” y el régimen de mostración en el cine [The Camera in Architectural Animation. Reconsidering “The Gaze” and The Registration Regime in the Cinema] |
| source |
SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 432-435 |
| summary |
Even though inspired by cinema, architecture animations often oversimplify filmic space, and conflate two distinct concepts: gaze, and vision. Such misinterpretation leads to overuse camera movement to present spaces as if the change of point of view would lead to communicate lived space. This article introduces such discussion in the context of the tableau vivant, a living picture, explores the use of the shot sequence and the use of non-narrative scenes. |
| series |
SIGRADI |
| email |
|
| full text |
 file.pdf (935,544 bytes) |
| references |
Content-type: text/plain
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Bazin, A. (1967)
 The Evolution of the Language of Cinema
, What is cinema? 1(pp. 23-40). Berkeley, CA: University of Califórnia
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Copjec, J. (1989)
The Orthopsychic Subject: Film Theory and the Reception of Lacan
, October, 49, 53-71
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Pérez-Gómez, A. y L. Pelletier (1992)
Architecture Representation beyond Perspectivism
, Perspecta, 27, 20-39
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| last changed |
2016/03/10 09:47 |
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