| id |
sigradi2014_172 |
| authors |
Santos, Fábio Lopes Souza; Rafael Goffinet de Almeida |
| year |
2014 |
| title |
Dan Graham e a cidade contemporânea: dispositivos espaciais, comportamentos e relações de poder |
| source |
SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 505-508 |
| summary |
Dan Graham became an important reference in contemporary art developing since the 1960´s a series of works that maintain a profound relation with urban cultural phenomena. This article proposes the analysis of his works produced over the 1970´s and 1980´s which presents the use of technical supports like video, exhibition and surveillance systems and which guided his earlier aesthetic research – related to the “institutional critique” – to the investigations about the power relations between objects, public and the space where they are placed. |
| keywords |
Dan Graham; Contemporary Art; Contemporary Architecture; Contemporary City; Contemporary Spatiality |
| series |
SIGRADI |
| email |
|
| full text |
 file.pdf (213,504 bytes) |
| references |
Content-type: text/plain
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COLOMINA, B.; FRANK, M.; PELZER, B. (2001)
 Dan Graham
, New York: Phaidon
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GINTZ, C. (1994)
Beyond the looking glass
, Art in America, 5, 84-98
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GRAHAM, D. (1981)
Not-post Modernism: History Agaisnt Historiscm, European Archetypal Vernacular in Relation to American Commercial Vernacular, and the City as Opposed to the Individual Building
, Artforum, 50-58
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GRAHAM, D. (1990)
Dan Graham
, Flash Art, 152, 142-144
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KWON, M. (2004)
One place after another: Site-Specific Art and Locational Identity
, Boston: The MIT Press
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| last changed |
2016/03/10 09:59 |
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